At
this time, the sound Hin and others may be made, alternately or optionally,
according to habit. When the man,
making the sound Phat, strikes the woman on the head, with the fingers of his
hand a little contracted, it is called Prasritaka. In this case, the appropriate sounds are the cooing sound,
the sound Phat, and the sound Phut of the interior in the mouth, and at the end
of congress, the sighing and weeping sounds.
The sound Phat is an imitation of the sound of a bamboo being split,
while the sound Phut is like the sound made by something falling into water.
At all times, when kissing and such like things are begun, the woman
should give a reply with a hissing sound. During
the excitement when the woman is not accustomed to striking, she continually
utters words expressive of prohibition, sufficiency, or desire of liberation, as
well as the words ‘father’, ‘mother’, intermingled with the sighing,
weeping and thundering sounds. Towards
the conclusion of the congress, the breasts, the jaghana, and the sides of the
woman should be pressed with the open palms of the hand, with some force, until
the end of it, and then sounds like those of the quail, or the goose should be
made.
There
are also two verses on the subject as follows: ‘The characteristics of manhood
are said to consist of roughness and impetuosity, while weakness, tenderness,
sensibility, and an inclination to turn away from unpleasant things are the
distinguishing marks of womanhood. The
excitement of passion, and pecularities of habit may sometimes cause contrary
results to appear, but these do not last long, and in the end the natural state
is resumed.’